Pierced with humor thanks to Gyllenhaal’s Danny and a witty script that doesn’t hold back from pulling in pop culture references, Ambulance just might be the action film that viewers have been missing.
If there’s one thing to know about Everything Everywhere All at Once before its wide release on April 8, 2022, it’s that it will be hard to top this feature as far as films centered around multiverses are concerned.
The best movies of March 2022.
A feel-good, lighthearted film, The Lost City does an excellent job of showcasing the chemistry between its two leads, which is ultimately the best reason to watch.
Daniel Espinosa’s Morbius is the kind of comic book film I’ve been waiting to resurface for quite some time. In the age of multiverses and reality alterations, simplicity has never looked so bright.
The new A24 film is out in theaters this weekend (March 18th), and it’s unlike anything you’ve seen before.
A recap of Day 5 of SXSW 2022.
Equal parts entertaining and clever, Bitch Ass is a nice entry into the Black slasher genre. With great callbacks to narrative concepts from Tales from the Hood and Saw, the film blends the best elements of its predecessors with a modern and fresh spin.
Maite’s tasteful direction in Without Prescription is why this involved story works so well. She manages to build an intimate setting with such an obstructive disorder that it’s hard not to become immersed by Olivia’s healing process and her fight for mental freedom.
Day 4 Roundup of the 2022 SXSW Film Festival.